Cities such as Paris, London, Lisbon, St. Petersburg, Oslo, Bergen, and especially Stockholm - the city where he established the artist - are permanent sources of inspiration for the creative process Flavia Vazzoler. The everyday is a recurring theme in his work, even if subtly delineated by lines of landscapes, human figures and objects, which reveal some of the characteristics of contemporary art: the ambiguity, fragmentation, pluralism, self-references tecnologia.
The works exhibited here discussing issues such as blurring of boundaries of cultural contrasts, and at the same time, the strength of their own identity through the vibration of color and combination of materials and themes. Engaged in an art show naturalness of the workman at the same time add the sophistication of the newest tecnologias. A artist adds to the painting - its language more usual expression - the collage and experimenting with other materials, such as the seam with coat frame, finished in epoxy resin, and new technological features (multitecnomídias, in the words of the artist), such as light boxes, the backlights.
There is a unique style and not one is truth. Some of works using new media, such as the backlights, the artist places a fundamental question: what is the threshold of possible dialogue between the poetic dimension of work and new technological languages? In search of the world of images, the artist reveals the dream and the postmodern romanticism. The distinct languages seek a single direction: the seizure of everyday life and the perception of the cosmopolitan image, inspired by his personal experience that engenders the fields of Art, Design, Sociology, Ecology, and Psycology.
The contemporary context works which cause awkwardness and discuss issues such as pain, violence and death, the work of Flavia Vazzoler signals life in constant transformation, through its aesthetic and expressive skill, and intensity cromática. In"Auto -retrato ", the look that starts the exhibition route of this show, Flavia causes a reflection on the look herself, deforming facial features and also rescuing the oval shape of old portraits. The artist observes the world. Capture the views, PopArt, graphic art, figuration versus abstraction, the fragments of the macro cosmos personal universe, but lets also be observed. Observes, perceives and apprehends signs that private world, cherished by the spirit of the time.
See paints below